THE WRITER'S ROOM
'Taken individually any one of these thoughtful conversations has the capacity to draw the reader into a zone of sympathy and appreciation, even if she has not read the published works of the interviewee. Collectively the conversations constitute a valuable resource for writers, teachers and general readers intrigued by the psychology and craft of making fiction.'
- Robyn Walton, The Australian
'About as good as interviewing gets. The conversations laid down in The Writer’s Room are rich, detailed, honest, and relaxed ... the information provided is so rich, and there is so much honesty and intimacy here, that it feels almost wrong – like an unfair advantage – to read them ... The discussions explore all sorts of aspects of the writing process, including anxieties and aesthetic vision, as well as work methods, the building of worlds, structure, habits, characterisation, on writing darkness, on writing humour, on writers block, and almost everything else you can think of. The book is so full of insights that my copy is now full of dog-ears and post-it notes (sorry book purists) for points I want to return to or draw on.'
- Magdalena Ball, The Compulsive Reader
For more on The Writer's Room click here.
NEWS & EVENTS
From Jan 16-21 Charlotte will be taking over the US-based publisher Europa Editions' Twitter account, as Americans count down to the presidential inauguration. Follow @Europa Editions
Charlotte's Saturday Paper tribute to her friend, the writer Georgia Blain.
Art Can Transfigure Hatred
Charlotte's essay on how artists can turn bleakness into art, published at Literary Hub.
GEORGE ORWELL'S 1984
'The bones' mute protest': Charlotte's introduction to Text Publishing's new edition of Orwell's 1984
PRIME MINISTER'S LITERARY AWARDS
The Natural Way of Things is joint winner of the 2016 Prime Minister's Literary Award for Fiction in Australia.
BEST AUSTRALIAN STORIES 2016
Charlotte is the editor of this year's Best Australian Stories collection, published by Black Inc. Read her editor's introduction here.
CHARLES PERKINS CENTRE WRITER IN RESIDENCE
Charlotte has been named the inaugural Charles Perkins Centre writer-in-residence at the University of Sydney. This groundbreaking collaboration, made possible by the extraordinary generosity of Judy Harris and the CPC, brings together science, health and literature - more details here. A Sydney Morning Herald article on the fellowship is here.
THE 2016 STELLA PRIZE
The Natural Way of Things won the 2016 Stella Prize, announced on Tuesday 19 April at the Sydney Opera House. Read about the prize and what it means for writers here. Charlotte's acceptance speech is here.
THE INDIE BOOK OF THE YEAR
The Natural Way of Things won the 2016 Indie Book of the Year Award and the award for fiction, chosen by Australian Independent Booksellers. Read Charlotte's tribute to our indie bookstores and what they mean for Australian writers and readers here.
THE NATURAL WAY OF THINGS
'A Prescient Feminist Horror
Novel You Need to Read:
The girls of Wood’s novel are in no dystopia. Instead, they are imprisoned by present policing of their bodies, the corrosive discrimination of political and economic systems that turns women’s bodies against them, rebuilding them as flesh and blood prisons.'
- Stassa Edwards, Jezebel.com
'Wood’s prose is beautiful, but it doesn’t coddle. The Natural Way of Things is an unapologetic confrontation of misogyny and rape culture. It’s a tough and necessary read.”
—Jakob Vala, Tin House, in The Portland Mercury
'Beautiful and savage – think Atwood in the outback.'
—Paula Hawkins, author of The Girl on the Train, in The Guardian
'One of those unforgettable reading experiences.'
—Liane Moriarity, author of Truly Madly Guilty, in The New York Times
'A ferocious new novel by the Australian Charlotte Wood whose writing recalls the early Elena Ferrante — it's tough, direct, and makes no attempt to be ingratiating ... what keeps all this from seeming doctrinaire is the book's sheer imaginative intensity. Wood's writing crackles with vivid precision ... Yolanda and Verla strip away the historical veneer of female subservience. They recreate themselves based on a deeper, more complicated vision of the natural order, one that grasps the bond between all living beings. I'd like to tell you that this is a happy ending, but Wood is too honest to offer anything so reassuringly easy. Even as her heroines begin a radical new way of living, Wood knows that the natural way of things is as risky and wild as it is free.'
- John Powers, NPR Fresh Air
'A haunting parable of contemporary misogyny ... The Handmaid’s Tale for our age of sensational media and reality television. Like Margaret Atwood’s dark vision of religious dictatorship, it is a preview of what could happen to women who rock the boat, resisting predation or asserting their own sexual freedom ... Like the surreal prison itself, Ms Wood’s writing is direct and spare, yet capable of bursting with unexpected beauty ... The sly and devastating ending makes the point: Ladies, you have been warned.'
- The Economist
'Wood takes apart the mentality of patriarchy not with a scalpel, but an axe. However, the axe cuts deep ... The Natural Way of Things is chillingly dark and unfashionably didactic. But it’s also compulsively readable, and bears its load of significance with effortless power. The fury of contemporary feminism may have found its masterpiece of horror.'
- The Guardian
'The latest from Australian novelist Wood is allegory at its best, a phantasmagoric portrait of modern culture's sexual politics textured by psychological realism and sparing lyricism.'
- Publisher's Weekly
'At once brutal and beautiful ... Surreal yet intensely vivid, the novel is disturbing and enthralling ... An absorbing plot, lyrical prose, and discomfiting imagery makes Wood's novel decidedly gripping.'
- Kirkus Reviews
'What sets Wood’s The Natural Way of Things apart, what makes it a truly urgent read is that it is not an allegory and it is not a dystopian novel: it is a reality. As such, The Natural Way of Things, a work that takes the reality of misogyny and toxic cultural notions about women’s sexuality and very bluntly bulldozes those ideas, is exactly what we should be reading right now.'
- Full Stop magazine
'With echoes of Kafka and The Lord of the Flies ... Wood's raw and complex story delves into themes of friendship as two of the imprisoned form a strong yet unconventional bond through their survival efforts. It also depicts the tyranny of misogyny with the same coarse grit and degradation that scours women around the globe, while simultaneously spotlighting their courage and fortitude. Uncomfortably bold, The Natural Way of Things is an everywoman's hero tale.'
- Shelf Awareness (starred review)
'The Natural Way of Things is a virtuoso performance, plotted deftly through a minefield of potential traps, weighted with allegory yet swift and sure in its narrative advance. As an idea for a novel, it’s rich, and to achieve that idea the writer has been courageous. Her control of this story is masterful.'
- Rosemary Sorensen, The Sydney Review of Books
'It’s like digesting a living creature, one with claws still intact ... if Wood is concerned with investigating and condemning masculine violence, both in its overt manifestations and those encoded in the structure of contemporary culture, she is too much of an artist to reduce her critique to a simple binary ... the final effect is stunning.'
- AF, The Saturday Paper
'This is an extraordinary novel: inspired, powerful, at once coherent and dreamlike ... The Natural Way of Things recalls all the reading you've ever done on the subjects of capture, isolation, incarceration, totalitarianism, misogyny, and the abuse of power. It's thought-provoking in all directions.'
- Kerryn Goldsworthy, The Sydney Morning Herald / The Age